スロベニアの川底に眠る遺物

スロベニアのLjubljanica川の底にローマ時代の遺物が多数発見されています。何かの理由で沈められたものであると考えられています。まだ正式に発掘は始まっていません。地元のダイバーなどが遺物を引き上げ博物館などへの提供を拒否しているようです。National Geographic　Magazineに記事が出ているようです。

Get a taste of what awaits you in print from this compelling excerpt.

Archaeologist Andrej Gaspari is haunted by pieces of the past. His hometown river, the Ljubljanica, has yielded thousands of them—Celtic coins, Roman luxuries, medieval swords—all from a shallow 12-mile (19 kilometers) stretch. Those who lived near and traveled along the stream that winds through Slovenia’s capital of Ljubljana considered it sacred, Gaspari believes. That would explain why generations of Celts, Romans, and earlier inhabitants offered treasures—far too many to be accidental—to the river during rites of passage, in mourning, or as thanksgiving for battles won.

But Gaspari may never be able to explain for certain why the Ljubljanica holds one of Europe’s richest stores of river treasures, many of them remarkably preserved by the soft sediments and gentle waters. Too many pieces of the puzzle have already disappeared.

During the past two decades, sport divers have made the river their playground, removing most of some 10,000 to 13,000 objects found so far. Even though removing artifacts from the Ljubljanica has long been illegal, professional archaeologists have been forced to compete with private collectors. Some divers sold their loot to museums; others to the highest bidder. Some kept their treasures private. Many artifacts have left the country, untraceable. Gaspari’s greatest torment comes from the knowledge that few maverick collectors know—or care—where exactly their prizes were found. For an archaeologist, an object’s meaning comes as much from its context—location, association with other objects—as from the prize itself. Without context, there is no story.

Mladen Mück is one of Gaspari’s tormentors. Now in his 40s, the Bosnian-born architect began diving in the river in 1985 and has brought up about a thousand pieces. In his kitchen in Ljubljana, a plastic box contains prehistoric tools. Upstairs, dusty cases hold other rare artifacts, including deer antler axes. Mück says he has no intention of selling what he has found. Like many collectors, he babies his goods and claims they are better off with him than with the authorities.

“More people see these artifacts in my house than if I gave them to a museum,” he says with a dismissive wave. “There they would sit in a basement.”

Gaspari disagrees. A team at the National Museum of Slovenia is preparing an exhibit of the river’s treasures that will tour Europe in 2008, he says. Still, he hopes that someday Mück will hand over his items. “My heart is strong,” quips the 33-year-old archaeologist. If Mück is obstinate, “I will outlive him.”

引用元：http://www7.nationalgeographic.com/ngm/0701/feature6/index.html